Pharoah Sanders
Jazzman Sanders finds fresh wind on Melbourne journey
Arts & Culture
Andra Jackson
FOR American jazz saxophonist Pharoah Sanders, knowing when not to play is as important as knowing when to play. Speaking on how he interacts with pianist and long-time colleague William Henderson, he said: "Sometimes I might get in his way," adding, "You don't want to overplay. You want the music to flow."
Damien Hills
"I first met Damien in 1998 when he was completing his music degree at the Hobart Conservatorium. I was a visiting lecturer and was immediately impressed by his playing and desire to soak up information to help him develop as a saxophone player. Since then he has moved from his Selmer tenor sax to a Keilwerth SX90R tenor.
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"Great free blowing horn! Especially good for contemporary and R&B work. Flexible in all registers and great pitch centre".
Jeremy, 13, is currently in Year 8 at Mt Waverley Sec College and was able to use his alto in the school's production of The Wiz at the Alexander Theatre.
I can play anything on my Temby Vintage Tenor Sax - whether it's dixie, classical, cheezy or smoky - it goes where I want to go for more than 40 hours every week. It has a really flexible tone range.
The Temby flutes - I have too much fun playing them. The Temby Altos are easy to play. The centre of the tone is there straight up. His design allows for natural hand position essential to the development of a solid technique.